The exhibition of the G6 winner opened in the Arcaded House
On Wednesday, October 5, 2022, the exhibition of Thai artist Mettrai Pongchomporn, Grand Prize Winner of the 6th 6th Graphic Art Biennial of Szeklerland was opened in the Arcaded House in Sfântu Gheorghe. The event marked the start of this year’s Biennial. The exhibition was opened by Zonga Bartha, colleague of the Szekler National Museum, Apor S. Ferencz, curator of the Biennia, and Fruzsina Vargha, art historian and deputy mayor of the Sfântu Gheorghe.
Zonga Bartha welcomed the large number of visitors on behalf of the Szekler National Museum, the venue of the exhibition. Apor S. Ferencz then introduced the artist and the technique used in his works.
Mettrai Pongchomporn, 25, from Thailand, comes from a family of artists, studies printmaking at the Silpakorn University of Art in Bangkok, and is the recipient of numerous awards. The artist is also active in the world of digital art, working in graphic design and animation. The exhibited works have been created during the last four years.
With the content and conceptual background of the works, he holds up a mirror to the Thai education system, trying to point out its negative character. The emphasis is on breaking out of enforced uniformity, on the individual’s need for freedom.
The prints combine several graphic techniques, using etching as the basic technique, complemented by screen printing and chine collé, applied in different ways in each work.
„The concept and ideas of this unique exhibition convey a clear message, while at the same time captivating the eye with its nuanced mood and rhythmic changes” – said Vargha Fruzsina. She emphasized that the works present a new culture, a different kind of youth, a world far away from us, but at the same time meaningful to us, which is both thought-provoking and simple. With this duality, the 25-year-old artist creates the aura that the unity of the exhibition and the uniqueness of the works can express.
There will be four exhibition openings during the Biennial.
The opening ceremony, awards ceremony and accompanying events of the 7th Graphic Art Biennial of Szeklerland will take place between 5 and 7 October in Sfântu Gheorghe and Miercurea-Ciuc.
On 5 October 2022 at 17:00, the series of events of the Biennial will begin with the opening of the solo exhibition of the Thai artist Mettrai Pongchomporn, winner of the 6th Graphic Art Biennial of Szeklerland, in Sfântu Gheorghe at the Lábasház (Arcaded House). The exhibition will be opened by Fruzsina Vargha, Deputy Mayor of Sfântu Gheorghe. The opening of the exhibition THE BIRD LIVES / Imre Baász – testimonies and the idea of printing will also take place on 5 October at 19:00 in the MAGMA Contemporary Art Exhibition Space.The exhibition was organized by the graphic artists Dénes Miklósi and Vilmos Koter, and the staff of MAGMA Contemporary Art Exhibition Space.
On Thursday, 6 October, from 17:00, the official opening and award ceremony of the 7th Graphic Art Biennial of Szeklerland will be held at the Transylvanian Art Centre. The exhibition will be opened by Apor S. Ferencz, curator of the Biennial, and Dr. Iréne Kányádi, art historian.
The series of events continues on Friday in Miercurea-Ciuc, on 7 October from 17:00 at the Szekler Museum of Ciuc, with the opening of the exhibition of the 7th Graphic Art Biennial of Szeklerland, which will be opened by Apor S. Ferencz, curator of the Biennial, and Eszter Túros, art historian.
The Graphic Art Biennial of Szeklerland has become a significant international forum for the graphic artist profession. Its importance is also confirmed by the fact that this year artists from 62 countries have submitted their works. During the ten-week application period, nearly 2,000 entries were received from a total of 844 artists. The jury selected 303 works for the exhibition of the Biennial.
The main aim of G7 is to continue to focus on contemporary graphic art, providing a comprehensive overview of current trends and developments in reproductive image creation. In 2022, several artists have responded with their works to the call of the Biennial’s title, Strategies, also in response to the current social situation.
The G7 jury is made up of internationally renowned representatives of the profession: Prof. Dr. Bogdan Achimescu, a Professor at the Cracow University of Arts, Prof. Dr. István Erőss, Rector of the Hungarian University of Fine Arts, Prof. dr. Adriana Lucaciu, Professor at the Faculty of Fine Arts of the Western University of Timișoara, Dr.Andrea Pézman, Assistant Professor at the Department of Graphic Arts at the University of Fine Arts in Bratislava, Dr. Beáta Bordás, art historian, head of the Transylvanian Art Centre in Sfântu Gheorghe, Dr. József Szurcsik, Deputy Rector of the Hungarian University of Fine Arts, Associate Professor and Head of Department, and graphic artist Apor S. Ferencz, curator of the Biennial. This year, the jury awarded 12 prizes to the best entries.
The event is jointly organized by the Covasna County Cultural Centre, the Councils of Covasna, Harghita and Mureș Counties, the Mayor’s Office of Sfântu Gheorghe, the Transylvanian Art Centre, the Miercurea-Ciuc City Hall, the Szekler Museum of Ciuc, the Cultural and Art Centre of Lăzarea, the Mureș County Museum, the MAGMA Contemporary Art Exhibition Space, and the Szekler National Museum.
The sponsors of the prizes:
Main Prize of the biennial – Kurkó Árpád; Nagy Pál Prize – Maros County Council, Mureş County Museum; Nagy Imre Prize – Harghita County Council, the Cultural and Art Centre of Lăzarea; Plugor Sándor Prize – Covasna County Council, Covasna County Cultural Centre; Baász Imre Prize – Association of Romanian Artists – Covasna County Branch; The prize of the Consulate General of Hungary in Miercurea Ciuc – Consulate General of Hungary in Miercurea Ciuc, MVM Energy Romania; The prize of the Hungarian University of Fine Arts – Hungarian University of Fine Arts, Budapest; Eszterházy Károly University’s Prize – Eszterházy Károly University, Visual Arts Institute, Eger; Partium Award by the Partium Christian University – Partium Christian University, Department of Fine Arts, Oradea; Pulzus Art Camp Prize – Pulzus Art Camp, Odorheiu Secuiesc; Lăzarea Art Camp Prize – Cultural and Art Centre of Lăzarea; MAMŰ Society Prize – MAMŰ Society Cultural Association, Budapest
Between 17-19th of June the jurying process of the 7th Graphic Art Biennial of Szeklerland took place at the Transylvanian Art Centre in Sfântu Gheorghe.
Among the laureated artists, this year we can find representatives of Poland, Hungary, Thailand, Romania, Slovakia, Bulgaria and Finland. The organizers will publish the list of the winners before the opening of the biennial, in early October, 2022.
Andrea Pézman was born in Komárno (Slovak Republic) and currently lives and works in Bratislava. In 1999 she became an architect at the Faculty of Architecture of the Slovak Technical University in Bratislava, then in 2005 she was a graphic artist at the Bratislava College of Fine Arts, where she received her doctorate in 2018 and is currently an Assistant Professor at the Department of Graphic Arts.
Regularly exhibits both in Slovakia, Hungary and internationally. She won many national and international contests.
Her works can be found in the collections of several recognized institutions: MAK Wien, Mead Art Museum at Amherst College (USA), Instituto de Artes Gráficas, Oaxaca (Mexico), Galéria mesta Bratislavy (Slovakia).
dr hab. Bogdan Achimescu prof. ASP (PL)
Draughtsman and transmedia artist, born in 1965. Studied at the High School of Arts in Timișoara, the Cluj Art Institute, the Krakow Fine Arts Academy (MFA in Graphics in 1992). In recent years, Achimescu has focused on performative lectures, that is, live drawing sessions projected on a screen, simultaneously with a narrative full of digressions, about topics such as revolutions and social change, the material culture of Eastern Europe as well as micro- subjective history. Achimescu represented Romania at the Venice Biennale 2001 as part of the Context group. His works are in numerous private and public collections, including the viennese Albertina, MOMA New York, Ludwigsmuseum Cologne, Uffizzi Galleries in Florence, National Museum in Warsaw, Art Museum in Sao Paolo. Achimescu has taught at numerous universities in the United States, including the University of Virginia (1999, 2002-2004) and the University of Arizona (2000-2001). Vice-Rector of the Krakow Academy of Arts (2016-2020). He is currently a professor at the Faculty of Intermediate and director of the Doctoral School of the Krakow Fine Arts Academy.
Dr. Bordás Beáta (RO)
Dr. Beáta Bordás is an art historian. She was born in Sepsiszentgyörgy/ Sfântu Gheorghe in 1986. She graduated from Babeș–Bolyai University in Kolozsvár/Cluj – Napoca, where she obtained her degree of Doctor of History in 2013.
During the period of 2016-2021 she was a museologist and curator of the Art Museum in Kolozsvár/Cluj-Napoca and since the summer of 2021 she has been director of the Transylvanian Art Centre in Sepsiszentgyörgy/ Sfântu Gheorghe.
Her main research areas are Transylvanian art of the 19th and 20th century and Transylvanian architecture of the age of historicism. There have been published several individual volumes and studies about Transylvanian art and Transylvanian built heritage written by her.
Prof. dr. Erőss István (HU)
Hungarian artist István Erőss, he graduated from the Hungarian University of Fine Arts in 1995 as a printmaker, but he also attended other institutions, such as the Academy of Fine Arts Vienna, the Royal Academy of Art (The Hague) and the University of Fine Arts in Marseille. He defended his DLA thesis about ”Nature Art” in 2009.Works at Eszterházy Károly University, Eger, as professor at the Visual Arts Institute,from August 2021, he is the rector of the Hungarian University of Fine Arts.
He has taken numerous professional trips to remote countries: he has been to Africa five times and to Asia more than forty times as a guest artist, exhibitor, lecturer or curator of different artists’ camps and symposia. He is exhibitor and organiser of the series of international exchange exhibitions entitled SEGMENT, consisting of twice nine events held in Hungary and several Asian countries up to now. He works in different genres ranging from printmaking through installation to sculpture.
Ferencz S. Apor (RO/HU)
Apor Ferencz S. is a visual artist, born in 1975, he graduated the Bucharest National University of Arts in 2001. He is member of several professional organisations such as the Romanian Artists` Union (UAP), the Caffart Fine Art Association in Budapest and the MAMŰ Art Society (HU). He is also founder and editor of the online visual art forum ”Fórumtizenöt” [Forum fifteen] and active organizer of many local exhibitions and professional events. He has received a lot of professional recognitions and artist grants, such as the Hollósy Simon Scholarship (2006) (HU), the Barcsay Award (2011) (HU), Communitas Scholarship (2003, 2010) (RO), Scholarship of the Budapest Gallery (2006, 2019) (HU), the Creative Scholarship of the Hungarian Academy of Arts (2021) (HU). From 2017 he is the curator of the Graphic Art Biennial of Szeklerland.
In his works he mainly deals with the problems of his personal existence and the social issues of his environment. Sometimes he redefines his works creating collages and installations of his personal objects and family photos. Found and rebuilt objects have an important role and he often integrates some elements of the material culture of his ”province” into his art.
Prof. dr. habil Adriana Lucaciu (RO)
She was born in 1965 in Lugoj, Romania. She graduated from the Bucharest National University of Arts in 1992, obtaining her bachelor’s degree in Graphics. Since 1993 she has been member of the Romanian Artists’ Union. In 2005 she completed her doctoral studies at West University of Timișoara. At present she is university professor at West University of Timișoara, at the Faculty of Arts and Design.
She participated in several international exhibitions and contests (more than 400 participations) in Argentina, Australia, Austria, Belarus, Bulgaria, Brasilia, Canada, Czech Republic, China, Croatia, Germany, France, Greece, India, Italy, Japan, Lithuania, North Macedonia, Mexico, Portugal, Romania, Russia, Serbia, Spain, USA, Turkey, Hungary.
She received a series of international awards and scholarships at home and abroad and took part in many residency programs in Germany, Italy and Austria. She lives and works in Timișoara, Romania.
Szurcsik József(HU)
József Szurcsik is a painter and graphic artist born in 1959 in Budapest. During the periods of 1981-1985 and 1985-1988 he completed his studies at the Printmaking Department of the Hungarian Faculty of Arts in Budapest, respectively he participated in the postgraduate programme of the faculty. He has been an exhibiting artist since 1985. Beside his independent artistic work he has a diverse art organizing and artist representation activity: he is member and office holder of a series of art organizations and societies at home and abroad.
His other important activity field is Art Pedagogy: during the period of 2006 and 2009 he was professor at the Eszterházy Károly College and head of the Visual Art Department, since 2009 he has been teaching at the Hungarian University of Fine Arts. At present he is vice-rector of the University, head of the Graphics Department, associate professor.
During the ten weeks application period around 2000 creations were submitted from 844 artists of 62 countries. The professional jury selected 303 artworks into the exhibition material of the biennial, which we publish here in the following list.
Nr.
Name
Title of the artwork
Country
1
Ábrahám Jakab
Szürke horizontok
Romania
2
Adam Czech
SILESIAN STREETWALKER 1A
Poland
3
Adrian Josef Schichta
“Zabawy na wrotkach, II”
Poland
4
Adrian Lis
HUMAN STAMP
Romania
5
Agata Dworzak-Subocz
Synergy_7
Poland
6
Agnieszka Cieślińska
Bestiary Lion
Poland
7
Agnieszka Jankiewicz
the present times III
Poland
8
Agnieszka Lech-Bińczycka
Imprint
Poland
9
Alberto Balletti
Stunt Ration
Italy
10
Alejandra Coirini
bar, flamingo
Argentina
11
Aleksandra Lasoń
Leftovers XXIX
Poland
12
Alexandra Brezeanu
Bulbi de pământ
Romania
13
Crâmpei
Romania
14
Alicja Habisiak-Matczak
Inferno – VI Cerchio
Poland
15
Alicja Niekrasz
Frida Fokhalo
Poland
16
Alja Kosar
Untitled
Slovenia
17
Amnat Kongwaree
We’re in the same boat I
Thailand
18
Ana Vivoda
Fragments of Morning 1
Croatia
19
Anabela Sládek
Frozen Fields of the Future #5C
Slovakia
20
Anais Charras
Peine perdue
France
21
André Berger
Composition III: temple, seed, genesis
Brazil
22
Andreea Medar
ㆨ᎒ ༼ᚗꕄ ꒲~ꕇ꒿ ᘓ꒿ꕇ꒿ʭ ʭ꒿~ᦔ ꗤ꒿꒑ʭ꒿ꔳᒪ༼ ꕄᘓᦔ꒿ʭ
Romania
23
Andrei- Răzvan Neciu
”Teatru prietenos”
Romania
24
Andrzej Mosio
Induction (right)
Poland
25
Andrzej Węcławski
“Adyton_ Kurtyna IV a”
Poland
26
Angyal Olívia
Álca
Romania
27
Anna Kodź
Transformation I
Poland
28
Anna Trojanowska
UTWÓR PRACOWNICZY_03
Poland
29
UTWÓR PRACOWNICZY_06
Poland
30
Antal István
Képhiba / Glitch
Austria
31
Antoni Kowalski
lacrimosa
Poland
32
Anusorn Chaiyu
Afternoon tea
Thailand
33
Apirat Rerkdee
The Narrow Space of Vastness No.1
Thailand
34
Aros Éva
Felszínen maradni… / Stay afloat…
Hungary
35
Augusto Sampaio
ABC_MONOTYPE
Brazil
36
Awo Tsegah
Fragile
Ghana
37
Ázbej Kristóf
Loving Cup (Szent Grál) X.-20220201
Hungary
38
Loving Cup (Szent Grál) XI.-20220122
Hungary
39
Bács Emese
Egy város története I.
Hungary
40
Balogh Kristóf József
Barcsay mesterrel
Hungary
41
Barbara Komaniecka
Big furry
Poland
42
Barta János
The Beast that shouted Love
Hungary
43
Barti Magdolna
Ahogy kint, úgy bent II. (5/1)
Hungary
44
Bartis Elemér Márton
Hangportré
Hungary
45
Bartłomiej Żak
this f***ing chair again
Poland
46
Belousova Natalia
No people
Russia
47
Boguszewska Natasza
Summer Days
Poland
48
Boros Mátyás
Hogyan rejtsünk el egy gondo…
Hungary
49
Bugyi István József
Partra vetett párbeszéd
Hungary
50
Carla Ibarra
Alma Mater
Mexico
51
Cătălina Nistor
Frica
Romania
52
Chawit Srisawad
When I was young with my imaginary space.
Thailand
53
Christopher Nowicki
Sweet Potatoes
Poland
54
Cleo Wilkinson
Encounter
Australia
55
Colin Gillespie
‘The Parade’
United Kingdom
56
Cristina Vladila
My Wall 2
Romania
57
Csizy László
Élő energiák
Hungary
58
Cui Xiaohua
Fragile soul No.4
China
59
Czakó Petra
Maszkok
Hungary
60
Dan Obana
Dancing Fever for Blissful World 1
Japan
61
Daniela Savini
The body
Italy
62
Daniela Sobetchi
Autoritratto
Italy
63
Daradics Árpád
A pillanat hatalma
Hungary
64
Deborah Chapman
Jeu d’lillution
Canada
65
Dimitrije Pecić
The Street
Serbia
66
Dobó Bianka
Monument 1.
Hungary
67
Monument 2.
Hungary
68
Dr. Nityananda Gaine
Existance-22
Bangladesh
69
Dumitru Lungu
Gulag
Moldova
70
Durst Márta
Éjszakai fény 2.
Hungary
71
Edvin Dragičević
Subterraneus I
Croatia
72
Subterraneus II
Croatia
73
Egyed Tibor
A gyűjtemény halála után megsemmisült II.
Hungary
74
Elżbieta Ćwik
Ecdysis
Poland
75
Emrah Sezer
Sinirli Leopard
Turkey
76
Enyedi Zsolt
A Laposföld Társaság elméletei X.
Hungary
77
Enyedi Zsuzsanna
EURÓPA ELRABLÁSA
Hungary
78
Eric Mummery
Time-Binding
Canada
79
Evangelos Tasios
Afrogali (Αφρόγαλη)
Greece
80
Ewa Jaworska
Wsłuchiwać sie (eng. To feel)
Poland
81
Fazakas Barna
Dreamscape II.
Romania
82
Felsmann Tamás
BASILICA MAIOR No.1. (Architectural Heritage)
Hungary
83
Foster Boyajian
City
United States of America
84
Franciszek Niec
Interfield2
Poland
85
Frimmel Gyula
Froggy
Hungary
86
Fülöp Mária
Emlékezés és felejtés metszéspontja I
Romania
87
Gacsályi Bíborka
Maszk
Hungary
88
Georg Bothe
Kettinge Landscape No. 3 (CNG LIV), e.a. I/VI
Germany
89
Gesztelyi Nagy Zsuzsa
Pieter de Hooch parafrázis
Hungary
90
Ghyczy Csongor
Legyünk ellenségek (Egy könyv lapjai, 10. oldal)
Hungary
91
Glenn Thomas
Just another day
Netherlands
92
Gollowitzer Szabina
Distance I.
Hungary
93
Goran Trickovski
Another meaningless work, from meaningless life
Bulgaria
94
Grzegorz Drobny
No title 1
Poland
95
Gui Jiang
Westbound Comics
China
96
Guy Langevin
Aux aurores 2
Canada
97
Gyenes Gábor
shelter
Slovakia
98
Haider Ali Jan
Heat of the Moment
Pakistan
99
Hamid Reza Bashiri
From untitled series
Iran
100
Hao Luo
faces
China
101
Haruhiko Yoshinaga
Table garden / T.O.21-0-01
Japan
102
Hegedűs 2 László
A növény is nő
Hungary
103
Hegedűs Tibor
Press fire button to start I.
Hungary
104
Hernádi Paula
ÚTVESZTŐ
Hungary
105
Hui Zhang
Red gibberish in the binary world-02
China
106
Husein Šljivo
PORTRET 1
Bosnia and Herzegovina
107
Iga Mikulska
War_1. D.I.Y.
Poland
108
War_2. D.I.Y.
Poland
109
Ioannis Anastasiou
XXIc Trichotomy VIII
Greece
110
Irina Gonzales
Cubo II
Peru
111
Ivácson Rebekka
Alteration_no7
Hungary
112
Izabela Kucharska
Self portrait
Poland
113
Jacek Machowski
First block between the heaps
Poland
114
Jacek Portka
Zone
Poland
115
Jaco Putker
The Pondering
Netherlands
116
Jaeger Tibor
Belsö világ
Sweden
117
Jakub Jaszewski
Fornax Umbrosa
Poland
118
Jakub Zdejszy
Fading past
Poland
119
Jancsikity József
Gyülekezők
Hungary
120
Janne Laine
Overwhelming
Finland
121
Kohti valoa (Towards light)
Finland
122
Jayne Reid Jackson
Convergence
United States of America
123
Jingxuan Zhang
Fission-02
China
124
Johannes Christopher Gerard
Drawing Lost In Space
Netherlands
125
Jónás Péter
Pad-idézetek III. (Hiátus)
Hungary
126
Joseph Scheer
Cactus #46 Saguaro Sonora
United States of America
127
Justin Diggle
A Whale from the Great Salt Lake, Utah.
United States of America
128
Kamil Kocurek
Barrier 2a
Poland
129
Kamil Zaleski
Powtórzenia 16
Poland
130
Kamruzzaman Kamruzzaman
survivor
Bangladesh
131
Kana Veradacha
Over the top
Thailand
132
Mendreczky Karina
Eva
Hungary
133
Karol Gawronski
year 2021
Poland
134
Karol Polak
PIXEL WALL
Poland
135
Karolina Zimna-Stelmaszewska
Solar System
Poland
136
Katarzyna Kroczek-Wasińska
Cappelarum CLVI
Poland
137
Katarzyna Nowakowska
Plate
Poland
138
Katarzyna Tereszkiewicz
Place identity – Rzeszów III
Poland
139
Place identity – Rzeszów V
Poland
140
Király György
Silentium I.
Hungary
141
Király Zsuzsa
Circle wave
Slovakia
142
Kiss Natália
A tér határai 3
Serbia
143
Kónya Kincső
Éntörvény 03
Hungary
144
Kortmann Járay Katalin
Roots
Hungary
145
Kovács Adrienn
Prés
Hungary
146
Kovács Csonga Anikó
Deformációk (triptichon)
Slovakia
147
Krizbai Gergely
Királyok Városa II.
Hungary
148
Kun Péter
Hétköznapi stratégiák I.
Hungary
149
Laila Terra
Album 1 – From contemplation to practice – print 12
Brazil
150
László Hajnalka
SELF DISTANCING
Romania
151
Léstyán Csaba
Placebo (Veritas premitur non opprimitur)
Romania
152
Liu Fu
Rhythm of the City Series III
China
153
Longauer Boróka
Az vagy … I
Romania
154
Lőrincz Imre-Levente
Belső mor
Romania
155
Łukasz Koniuszy
Industrial Structure
Poland
156
Luminita Monica Radu
Pietre 1
Romania
157
Magda Szplit
Small fish
Poland
158
Magdalena Banaś
Magma
Poland
159
Magdalena Palmowska
Feet
Poland
160
Magdalena Uchman
Boy
Poland
161
Magdalena Weber
Pictures from the back of my mind.
Poland
162
Maja Zemunik
Without title
Croatia
163
Malgorzata Chomicz
Mindfulness I
Italy
164
Mindfulness IV
Italy
165
Małgorzata Jarosz
oblivion part2
Poland
166
Małgorzata Zaremba
Eros defeated Thanatos
Poland
167
Marcela Gawęda
bez tytułu III
Poland
168
Marcin Bialas
Half-Life
Poland
169
Marcin Dudek
Dark Matter IV
Poland
170
Marco Poma
Levante
Italy
171
Nembostrato
Italy
172
Marek Zajko
Morthisanctus 1 version 4
Poland
173
Maria Syrakvash
Milky Way
Belarus
174
Maria Winbjörk
Hold On 03
Sweden
175
Maria Zwolińska
FAR AWAY FROM HERE
Poland
176
Marija Marcelionyte-Paliuke
Reincarnation. She
Lithuania
177
Mariusz Dański
From the cycle I sowed white seed – A(.) – I feel
Poland
178
Mariusz Gorzelak
The stones of Girona 2
Poland
179
Marta Dziomdziora
Windows (2)
Poland
180
Martin Ševčovič
From the Cycle Explicate Interpretation
Slovakia
181
Mateusz Patrzyk-De Oliveira
Painbody II
Poland
182
Mayer Éva
Továbbított üzenet VI.
Hungary
183
Mészáros Márta
Die Stadt 1.
Hungary
184
Michail Falkonis
Deconstruction
Greece
185
Michał Rygielski
The Moment – from cycle: Project ARTzheimer
Poland
186
Miklós Gábor
Kicsit gyűrött lettem I-II-III.
Hungary
187
Tekintet I-II.
Hungary
188
Miklós Kelemen
Raklapok II.
Hungary
189
Raklapok III.
Hungary
190
Mirella Marino
Untitled #1 (from the “Object Print” Series)
Brazil
191
Mirjana Milovanovic
Diary
Serbia
192
Mirosław Pawłowski
Utopology 1
Poland
193
Mirta Kupferminc
TRAS UN IDEAL- Towards a Hope
Argentina
194
Monika Pałka
CiTY II
Poland
195
Mr.Vorakorn Metmanorom
Talking Stone # 2
Thailand
196
Muhammet Fatih Gök
Landscape II
Turkey
197
Nádas Alexandra
Hordozható kert (lábasház) III.
Hungary
198
Nastazja Ciupa
V
Poland
199
VI
Poland
200
Nattakamon Tangtanaphong
Take a break No.2
Thailand
201
Nenad Zeljić
Rocket
Serbia
202
Nikola Dabić
Kernel panic
Bosnia and Herzegovina
203
Nikola Mišel Puklin
Vendetta
Croatia
204
Nopparat Intitanon
Past To Present
Thailand
205
Nuttakarn Vajasut
Retrospective
Thailand
206
Oksana Budna
Peace of mind v. 1
Poland
207
Oleg Pochtar
24.02.2022 Ukraine
Ukraine
208
Olesya Dzhurayeva
“The Scream”
Ukraine
209
Oliver Pilic
The Invisible Guest I (sub-sample)
Slovenia
210
Ondrej Revický
Correlation A 220320185745730699
Slovakia
211
Orbán Zsófia
Pathetic Despair 02
Hungary
212
Orosz Csaba
D.I.Y. 1. (samsara)
Hungary
213
Ország László
Rózsaszín-kaloda
Hungary
214
Ovidiu Petca
Tristan IX
Romania
215
Ozsváth Zsuzsa
Stop worrying and love the bomb
Romania
216
Pablo Querea Gutierrez
covid 19- locked up in the 20
Mexico
217
Pál Csaba
Naplórészletek 01
Hungary
218
Paola Lucrezi
Un amore
Italy
219
Patipon Supanpong
TANUKI
Thailand
220
Pató Károly
“Délutáni napfény”
Hungary
221
Patrick Casey
To Live Below Light Speed You Must Be Honest
United States of America
222
Patrick Luetzelschwab
Basel II
Germany
223
Patrik Ševčík
MotoGP
Slovakia
224
Patrycja Chrzanowska
Walls are still solid
Poland
225
Paulina Bobak
Absentees II
Poland
226
Paweł Bińczycki
Between
Poland
227
Paweł Delekta
Elements of creation IV
Poland
228
Peter Augustovic
ILLAUSION 2
Slovakia
229
Pető Hunor
Király és királynő
Hungary
230
Piotr Czyż
Bucky and…
Poland
231
Piotr Żaczek
Tristia III
Poland
232
Pisit Wiratwisit
One precious life no.5
Thailand
233
Pongsatorn Prapaipak
Imagery of the human relationship with the technol
The Graphic Art Biennial of Szeklerland has become a significant international forum of graphic art and this has been confirmed again by the quantity and quality of the submitted works to the call of the biennial of this year. The importance of G7 is also is also evident if we consider that this year artists from 62 countries have sent works to the contest. Similarly to the preceding event of the biennial, the Hungarian, Romanian and Polish lines are still the strongest, but this year the representation of some countries from South-America and a series of countries of the East, including Thailand, India, China or Taiwan has become more pronounced. During the application period of ten weeks nearly 2000 works from 844 artists have been submitted.
The deadline of the 7th Graphic Art Biennial was on March 23 at midnight, and after that the first phase of the jurying session took place during the period from March 29 to March 31.
The jury of G7 is composed by internationally recognized representatives of graphic art: Prof. dr. Bogdan Achimescu, professor at the Academy of Fine Arts in Krakow, Prof. dr. István Erőss, rector of the Hungarian University of Fine Arts, Prof. dr. Adriana Lucaciu, professor at the Faculty of Fine Arts of the West University of Temesvár/Timișoara, dr. Andrea Pézman, assistant professor at the Graphic Design Department of the Academy of Fine Arts in Bratislava, dr. Beáta Bordás, art historian and director of the Transylvanian Art Centre in Sfântu Gheorghe, dr. József Szurcsik, vice-rector of the Hungarian University of Fine Arts, head of department associate professor and Apor Ferencz S. artist, curator of the biennial.
Soon we are going to publish the list of the selected works on the website of the biennial.
Tomasz Winiarski (PL) Perpetuum mobile: CII – drypoint, mezzotint / 70×100 cm / 2020 Perpetuum mobile: CIV – drypoint, mezzotint / 60×100 cm / 2020
Baász Imre Prize
Rattana Sudjarit (TH) The way of Harvester No. 2 – etching, aquatint / 60×100 cm / 2018 The way of Harvester No. 3 – etching, aquatint / 60×100 cm / 2018
The Prize of the General Consulate of Hungary
Roxana Bloju (RO) 6_20_8_11_19_24 (I) – digital print/ 30×30 cm / 2020 6_20_8_11_19_24 (III) – digital print/ 30×30 cm / 2020
The Prize of Eszterházy Károly University
Ritli Róbert Roland (RO) War No. 3. – mixed technique / 50×70 cm / 2020
The Partium Prize of Partium Christian University
Szén András (RO) Fight – c-print / 40×60 cm / 2020
The Prize of the Hungarian University of Fine Arts
Olesya Dzhurayeva (UA) Spring day in Berlin – linoleum cut / 50,5×77,5 cm / 2019 Nordic light. Stockholm – linoleum cut / 50,5×77,5 cm / 2020
Zereda Art Camp Prize
Szilágyi Rudolf (HU) Classical rehabilitation I. – digital print, mixed technique / 42×70 cm / 2020 Classical rehabilitation II. – digital print, mixed technique / 42×70 cm / 2020
Pulzus Art Camp Prize
Pop Adriana Mihaela (RO) Vertical – lithography / 50×70 cm / 2018
Lăzarea Art Camp Prize
Orbán Zsófia (HU) One week later – litography / 30×45 cm / 2020
Taking into account the globally spread coronavirus disease, the organizers had to modify the program of the biennial of the year 2020. Unfortunately the epidemic situation had a negative impact on the organisation of the G6 events. As a result the usual exhibition openings, accompanying events and awards gala were cancelled this year.
This year the exhibition opening of the 6th Graphic Art Biennial of Szeklerland moved into the virtual space, thus those who are interested can view the short film made for the opening on the Facebook page of the G6 (https://www.facebook.com/grafikaiszemle). Yet the exhibition of G6 can be visited live in the Transylvanian Art Centre in Sepsiszentgyörgy.
During the past ten years the Graphic Art Biennial of Szeklerand offered vast possibilities for the presentation of traditional and experimental graphic works. Becoming an important factor from a professional point of view and gaining international publicity, today this event got on the map of international graphics.
The 6th edition of the biennial waited for responses of the participant artists, coming from different countries and cultures, concerning global issues, political, economical and other social problems. The main question was, how do they represent the problems of their personal existence or the problems of their environment in their art? How can tradition and total renewal be expressed through the language of contemporary graphic art.
We were also interested in works the primary aspect of which is not the definition of the ideal of beauty, but its problematization. Thus, we proposed the title “Structure of Chaos” as the buzzword of the 6th Graphic Art Biennale of Szeklerland. Chaos as the uncertainty of predictability, order as the exact geometric structure or predictability, and their possible sociological, political, cultural, ecological and economic implications. Globally, the vulnerability of all of these was confirmed by the outbreak of Covid-19 at the beginning of the year, which paralyzed all areas of life and unfortunately had a negative impact on the G6 2020 events and the organization of accompanying exhibitions. – considers Apor Ferencz S., the curator of the bienalei.
„In course of the examination of the works sent in to the Graphic Art Biennial of Szeklerland in the year 2020 we can get a situation report about the international state of contemporary graphics. From the submitted works it becomes clear, that the artists coming from very different geographical and cultural backgrounds are mainly bothered by the insecurity and the existential fears provoked by our globalizing and uniformizing world. Near the representatives of the graphic „world powers” Poland and China, which traditionally participate in force at the Biennial, this year also countries like India or Thailand were present more pronouncedly,these being countries, where contemporary graphics has not had particular weight within fine arts and could hardly be measured by international standards until now. This trend also shows, that image graphics is again a virulent genre of visual arts on global scale, which allows us to be optimistic.” – says dr. István Erőss member of the professional staff and jury member of the biennial.
In her laudation art historian Kányádi Iréne, assistent professor at Partium Christian University Partium says:
And yes, the call, in addition to being prophetic, captured the essence of the human of the present age, since the postmodern human is primarily characterized by the crossing of any kind of boundaries: the physical, the geographical, the biological, and the list goes on. The human of the present age belongs to the global world, the world of networks, the age of electronic information; a constantly moving individual who can be reached by technology at any time. The experimental spirit of the postmodern age is tangible in the works received, both in terms of the choice of subject and the technical execution, and the fact that no matter what times we live in, art can actively react to it. The artists experienced both the announcement of the Graphic Art Biennial and the chaos of the year 2020 as a challenge, meaning that we can talk about authentic, believable and high-quality works.
The exhibition can be visited at the Transylvanian Art Centre until the 6th of November, from Tuesday to Friday from 10 a.m. to 5 p.m., on Saturday from 10 a.m. to 6 p.m. TheexhibitioncanalsobeviewedonlineontheBiennalewebsitebyclickingonthefollowing link: https://gbiennial.ro/online-expo-g6/
Winners
With the artworks entitled Our order 3. and 5., respectively We are different 2.Mettrai Pongchomporn (TH) won the Main Prize of the biennial valuing 2000 euro offered by Perla Harghitei, The prize named after Pál Nagy provided by Maros county went to Liu FU (CN) for his series Lost paradise. The prize named after Imre Nagy offered by Hargita county went to Supicha Sutanthavibul (TH) for the work entitled Insane instinct and the prize provided by Covasna county named after Plugor Sándor was won by Tomasz Winiarski (PL) with the works Perpetuum mobile: CII and CIV. The prizes offered by the three counties of Szeklerland are 1000 euro each of them. The Imre Baász prize is 500 euro worth, this prize was awarded by the jury to Rattana Sudjarit(TH) for the works entitled The way of harvesters 2 and 3. Roxana Bloju (RO) received the prize of the Consulate General of Hungary for her series 6_20_8_11_19_24. The prize of the Institute of Visual Arts of the Eszterházy Károly University of Eger was awarded to Róbert RolandRitli (RO) with his work entitled War 3. The Partium prize offered by the Partium Christian University went to Szén András (RO) for the work Fight, whereas the prize provided by the Cultural and Art Centre of Gyergyószárhegy went to Zsófia Orbán (HU) for her work entitled One week later.
The prize of the Hungarian University of Fine Arts was awarded to Olesya Dzhurayeva (UA) for the works Spring day in Berlin and Nordiclight. Stockholm. The prize provided by Zereda Art Camp won RudolfSzilágyi (HU) with his series Classical rehabilitation, the prize of Pulzus Art Camp went to Pop Adriana Mihaela (RO) for her work Vertical.
The 6th Graphic Art Biennial of Szeklerland was sponsored by the Perla Harghitei and the Bethlen Gábor Funds.
The publication of the catalogue of the biennial was sponsored by the National Cultural Fund.
The event is organized with the collaboration of the Cultural Centre of Covasna County, the Councils of Hargita, Kovászna and Maros Counties, the Cultural and Art Centre of Gyergyószárhegy and the Museum of Maros County.