|
Nr. |
Author’s name |
Title of the art work |
Country |
|
| 1 | Ábrahám Jakab | Pro és kontra | 2016 | ROU |
| 2 | Adam Malek | Hommage à Mr. Magritte | 2015 | POL |
| 3 | Adriana Lucaciu | BETWEEN ALPHA AND OMEGA VIII | 2015 | ROU |
| 4 | Adrianna Szwedkowicz | Too high | 2015 | POL |
| 5 | Too high 2 | 2105 | ||
| 6 | Agata Zboromirska | The Man and Dark Shades | 2016 | POL |
| 7 | Agne Gintalaite | Beauty Remains landscape | 2015 | LTU |
| 8 | Ajk Piercc + Tee Kho ! Ne_Dva | laye_red_2_ | 2015 | POL |
| 9 | Albert Levente | A végtelen szeletelése2 | 2015 | ROU |
| 10 | Alberto Balletti | junk Split | 2015 | ITA |
| 11 | Aleksandra Bury | SEMI II | 2014 | POL |
| 12 | Aleksandra Supińska | Lisboa | 2015 | POL |
| 13 | Algimantas Povilas Kaveckis | Abstract noise | 2016 | LTU |
| 14 | Alicja Habisiak Matczak | Aula Magna | 2016 | POL |
| 15 | Due mondi | 2015 | ||
| 16 | Antichita romane II | 2014 | ||
| 17 | Alina Cerescu | Identity- portrait without face 1 | 2015 | ROU |
| 18 | Ana Brumat | Dulji Mwž | 2015 | SLO |
| 19 | Ana Vivoda | Traces 3 | 2015 | CRO |
| 20 | Anali Vakili | dualism | 2015 | IRI |
| 21 | Anastasija Sosunova | Signal I | 2016 | LTU |
| 22 | André Berger | Juntacadáveres | 2015 | BRA |
| 23 | Anna Trojanowska | OTT | 2015 | POL |
| 24 | Shades_2016_03 | 2016 | ||
| 25 | Shades_2016_04 | 2016 | ||
| 26 | Aranyász Zita | Magnaság szintézise szőnyegen I. | 2016 | HUN |
| 27 | Magnaság szintézise | 2016 | ||
| 28 | Artur Masternak | Fragmentation 2 | 2015 | POL |
| 29 | Balázs Kitti | Bekerített sziklák | 2016 | HUN |
| 30 | Barbara Czapor-Zaręba | Transitions XXII | 2015 | POL |
| 31 | Barta János | Triptichon I | 2016 | HUN |
| 32 | Bartosz Cebula | Andromedyd 2 | 2015 | POL |
| 33 | Beatriz Mahan | Conversation IX | 2014 | ESP |
| 34 | Becsey Zsuzsa | Legyen örökké napsugár a Holdon | 2016 | HUN |
| 35 | Bert Brouwer | “Writer’s Portrait” | 2015 | NED |
| 36 | Biljana Miljković | The Track of Time VI | 2015 | SRB |
| 37 | Birkás Babett | Play WW1 Dolls Catalogue | 2014 | HUN |
| 38 | Bíró Botond | Maradék III. | 2015 | HUN |
| 39 | Birta Roland – Norbert | High | 2015 | ROU |
| 40 | Birtalan Csaba | Kompocitió | 2015 | ROU |
| 41 | Blahó Borbála | Két serleg sorozat 3 /részlet a 9 db-os sorozatból | 2014 | HUN |
| 42 | Bogdan-Stefan Matei | Light | 2016 | ROU |
| 43 | Light 2 | 2016 | ||
| 44 | Botár László | Egyedül / Singură / Alone | 2016 | ROU |
| 45 | Botond Béla | Karztűrejtvény | 2015 | HUN |
| 46 | Bugyi István József | Szent Márton visszatekint | 2016 | HUN |
| 47 | Căbuz Andrea | Fejszünet | 2016 | ROU |
| 48 | Chang Yuya | Asylum Daydream | 2015 | TPE |
| 49 | Stepping back to the right side | 2015 | ||
| 50 | Cholewa Stanislaw | between 1 | 2016 | POL |
| 51 | between 2 | 2016 | ||
| 52 | Christina Kirchinger | BD-2 | 2015 | GER |
| 53 | Chudzik Tomasz | Scally Exemplum | 2014 | POL |
| 54 | Cristian Aurel Opriș | The Daily Lithograph | 2015 | ROU |
| 55 | Csillag Imola | Örök élet 2 | 2016 | ROU |
| 56 | Csillag István | Wellness 1 | 2016 | ROU |
| 57 | Wellness 2 | 2016 | ||
| 58 | Wellness 3 | 2016 | ||
| 59 | Csontó Lajos | Frázis No. 101. | 2016 | HUN |
| 60 | Frázis No. 102. | 2016 | ||
| 61 | Frázis No. 103. | 2016 | ||
| 62 | Dajana Rados | blizine III (nearness III) | 2016 | CRO |
| 63 | Damó István | MEGSEBZETT ÉG | 2013 | HUN |
| 64 | Danka Attila | Posztméhek | 2015 | HUN |
| 65 | Daradics Árpád | Lelkisegély | 2016 | HUN |
| 66 | Mandala | 2015 | ||
| 67 | Deák Németh Mária | Szárnyak nélkűl I | 2014 | HUN |
| 68 | Desislava Hristova | Liquefied flag-2 | 2016 | BUL |
| 69 | Dimitris Spanopoulos | RUST NEVER SLEEPS | 2014 | GRE |
| 70 | Dominika Wilk | Mechanical I | 2015 | POL |
| 71 | Edvin Dragičević | Controlling the impossible 2 | 2014 | CRO |
| 72 | Egle Sakalyte | Lady in a bush | 2015 | GBR |
| 73 | Erkan Şahin | Fikret Mualla | 2015 | TUR |
| 74 | Esra Aydın | Untitled | 2016 | TUR |
| 75 | Evelina Paukstyte | Hatchery / from Brave New World series | 2015 | LTU |
| 76 | Soma / from Brave New World series | 2014 | ||
| 77 | PIG / from Brave New World series | 2015 | ||
| 78 | Fazekas Dániel | Gyermekkori emlék – Csapágyszekér | 2016 | HUN |
| 79 | Fântânariu Suzana | „Nod” | 2014 | ROU |
| 80 | „Palimpsestus” | 2014 | ||
| 81 | Fehér István | Materia medica | 2016 | HUN |
| 82 | Fejes Soma Bogát | Magzat/Lélek kép I. | 2015 | HUN |
| 83 | Felsmann Tamás | ANTEQUAM INCIPIAS CONSULTA NO1. | 2016 | HUN |
| 84 | Ferencz S. Apor | Újrahasznosított emlékek I-III. (triptichon) | 2016 | ROU |
| 85 | Franciszek Nieć | FIELD | 2015 | POL |
| 86 | Frimmel Gyula | Arnold léghajós elutazása – Gross Arnold emlékére | 2015 | HUN |
| 87 | Gábor Éva Mária | Köd | 2015 | HUN |
| 88 | Gál Barbara | Barcsay után I. | 2016 | HUN |
| 89 | Gályász Zsófia | Önfeledt Öröm | 2014 | HUN |
| 90 | Gáspár Gyula | Etruszk I. | 2015 | HUN |
| 91 | Gergely Arnold | Nézőpont kérdése | 2016 | ROU |
| 92 | Gökçe Aysun Kaya | Under The City Walls | 2016 | TUR |
| 93 | Gollowitzer Szabina | Foltos totem | 2014 | HUN |
| 94 | Goran Trickovski | Way to heaven I | 2015 | BUL |
| 95 | Way to heaven II | 2015 | ||
| 96 | Haász Ágnes | Virtuális tájobjektek 2 | 2015 | HUN |
| 97 | Hasan Kiran | A dream of the shaman. | 2014 | TUR |
| 98 | Havasi Tamás | Test-kép jelekkel (Body-image with signs) | 2015 | HUN |
| 99 | Heiszman Bernadett | Univerzum I. | 2015 | HUN |
| 100 | Henryk Krolikowski | Body_016 | 2016 | POL |
| 101 | Ioan Horvath Bugnariu | Adam, alege-ți nevasta! | 2015 | ROU |
| 102 | La vie en rose | 2015 | ||
| 103 | Irene Hoppenberg | Coffee bags | 2014 | GER |
| 104 | Iryna Lavrushko | The evening chat | 2015 | POL |
| 105 | Sunday morning | 2015 | ||
| 106 | Somehow the library | 2015 | ||
| 107 | Ivan Mateev | Direction – The river | 2015 | BUL |
| 108 | Izabella Retkowska | ERROR[1841] | 2014 | POL |
| 109 | Izsák Előd | A tejút lejárati ideje 1. | 2016 | ROU |
| 110 | A tejút lejárati ideje 2. | 2016 | ||
| 111 | Jaeger Tibor | elégia 2 | 2015 | SWE |
| 112 | Janne Laine | Stage I | 2016 | FIN |
| 113 | Liquid | 2014 | ||
| 114 | János Timea | Belső tér 2. | 2016 | ROU |
| 115 | Javier Mazzeo | Perpetual Variations Ii | 2014 | ARG |
| 116 | Jelena Jovančov | From the cycle Reflections – Ark 3 state II | 2016 | MNE |
| 117 | Joanna Hetman | Inner world | 2015 | POL |
| 118 | Jolanta Mikulskyte | Underwater landscape, the lake Asveja (Lithuania) | 2016 | LTU |
| 119 | Jónás Péter | Függésben I. | 2015 | HUN |
| 120 | Juhász Dorina | Kancsó | 2016 | HUN |
| 121 | Juhász Gergő Balázs | Mitikai antropológia | 2015 | HUN |
| 122 | Justin Diggle | Paparazzi Drone | 2015 | USA |
| 123 | Kádár Katalin | A mélybe is lejutó világosság | 2016 | HUN |
| 124 | Kamil Kocurek | Chamber1 | 2014 | POL |
| 125 | Players | 2014 | ||
| 126 | Toys | 2014 | ||
| 127 | Kana Veradacha | Installation Structure | 2016 | THA |
| 128 | Overlay Structure | 2016 | ||
| 129 | Kántor József | Lombirtók | 2016 | HUN |
| 130 | Karol Pomykała | It seemed to me 2 | 2014 | POL |
| 131 | Curiosity 1 | 2014 | ||
| 132 | The beginning of the something old 1 | 2015 | ||
| 133 | Kárpáti Gergely | cím nélkül (linear landscape) | 2015 | HUN |
| 134 | Kassai Andrea | Rend | 2016 | HUN |
| 135 | Katarzyna Fornal | Memory of things 3 | 2016 | POL |
| 136 | Katarzyna Gielecka-Grzemska | Origami | 2015 | POL |
| 137 | Katarzyna Kroczek-Wasińska | The Parts | 2015 | POL |
| 138 | Katarzyna Smolarek | Insomia1 | 2015 | POL |
| 139 | Kazsik Marcell | Görcs | 2016 | HUN |
| 140 | Kemal Yildiz | La Notte | 2015 | TUR |
| 141 | Kis László | Átutazó | 2016 | HUN |
| 142 | Kolibarov Dimo | Cycle”The Diaries of Konstantin”-The walk” | 2016 | BUL |
| 143 | Köllő Margit | AZ ALAGÚT VÉGÉN | 2016 | ROU |
| 144 | Koltay Dorottya Szonja | Fiktív otthon – Kahun | 2016 | HUN |
| 145 | Fiktív otthon – Machu Picchu | 2016 | ||
| 146 | Kónya Kincső Pálma | Urbanizáció | 2016 | HUN |
| 147 | Kovács G. Tamás | Reménytelen kísérlet | 2015 | HUN |
| 148 | Kovács Nikolett | Epidermolysis II. | 2016 | HUN |
| 149 | Kovács Olivér Artúr | Dead Men Tell No Tales | 2015 | HUN |
| 150 | Kovács Péter Balázs | Viszony V. | 2016 | HUN |
| 151 | Kristina Norvilaitė | Let’s play | 2015 | LTU |
| 152 | Kristina Vatova | “Bad Picture.” | 2016 | BUL |
| 153 | “Bad Picture…” | 2016 | ||
| 154 | “Bad Picture?” | 2016 | ||
| 155 | Kristó Róbert | Küzdelem | 2015 | ROU |
| 156 | Krnács Ágota | A Ceredi csoda | 2016 | HUN |
| 157 | Kubra Gurlesen | The Gaze | 2015 | TUR |
| 158 | Kun Péter | Sabariai kút | 2016 | HUN |
| 159 | Lakatos Gabriella | Menyország a magasból | 2016 | ROU |
| 160 | A másvilág | 2015 | ||
| 161 | Lasoń Aleksandra | Emandatio II | 2014 | POL |
| 162 | László Hajnalka | Pow(d)er | 2016 | ROU |
| 163 | Leonte Gabriella | Egal l | 2015 | ROU |
| 164 | Egal ll | 2015 | ||
| 165 | Léstyán Csaba | Rekviem | 2015 | ROU |
| 166 | Lévay Jenő | Tömegszerencse (31) | 2016 | HUN |
| 167 | Lipkovics Péter | Árnyék (Erózió 1) | 2016 | HUN |
| 168 | Konc (Erózió 2) | 2016 | ||
| 169 | Lukasz Cywicki | “Fragments of the time – I” | 2015 | POL |
| 170 | Luzsicza Árpád | a.D. (1.) | 2015 | HUN |
| 171 | Maciej Bohdanowicz | Lwow | 2016 | POL |
| 172 | Imitation of truth. Or isn’t it? XVI | 2015 | ||
| 173 | Magda Szplit | Identity | 2015 | POL |
| 174 | Gray Man | 2015 | ||
| 175 | Magdalena Palmowska | ust2 | 2015/16 | POL |
| 176 | Magdalena Patraszewska | Splashes | 2015 | POL |
| 177 | Makai Mira Dalma | Kompozíció III | 2015 | HUN |
| 178 | Malgorzata Stachurska | Genesis X | 2014 | POL |
| 179 | Małgorzata Stanielewicz | Insomnia | 2015 | POL |
| 180 | House M. | 2016 | ||
| 181 | Mányoki Ádám | Végítélet | 2016 | HUN |
| 182 | Marco Trentin | bacchanale délicieux | 2016 | ITA |
| 183 | Marek Pośpiech | SIGN 2 | 2015 | POL |
| 184 | Mariela Canchari (Maca’n) | MEMORIA | 2015 | FRA |
| 185 | Marta Muszynska- Jozefowicz | We are reflection in other faces | 2016 | POL |
| 186 | Marta Tomczyk | The horizons of the events 1 | 2014 | POL |
| 187 | Martín García-Rivera | 147 años después de la revuelta | 2015 | PUR |
| 188 | Martin Ševčovič | Building blocks of subjects mental individuality | 2015 | SVK |
| 189 | Máté Anna | Árapály 1 | 2016 | HUN |
| 190 | Árapály 2 | 2016 | ||
| 191 | Mayer Éva | Lélekterek VII. | 2015 | SVK |
| 192 | Lélekterek VIII. | 2015 | ||
| 193 | Mehdi Darvishi | Outside of the Time I | 2016 | IRI |
| 194 | Mészáros Eszter | Zárt rendszer | 2015 | HUN |
| 195 | Mészáros Marianna | Összetört harmónia | 2015 | HUN |
| 196 | Mézes Tünde | Átirat / Transcription (1) | 2015 | HUN |
| 197 | Átirat / Transcription (2) | 2015 | ||
| 198 | Átirat / Transcription (3) | 2015 | ||
| 199 | Mia Štark | No title | 2015 | CRO |
| 200 | Migle Puzaite | Collecting Memories: Nr.5A4D020 | 2015 | LTU |
| 201 | Miklós Gábor | G.B.P. Művek III. | 2015 | HUN |
| 202 | Miklóssy Mária | Ha én folyó lennék | 2015 | ROU |
| 203 | Miran Sabic | GRANDFATHERS CHESS BOARD | 2015 | CRO |
| 204 | GRANDFATHERS DOCTORS BAG | 2015 | ||
| 205 | Monika Lukowska | Horizon 1 | 2015 | AUS |
| 206 | Moravszki Kata | dom sportova | 2016 | HUN |
| 207 | Moru Xu | Untitled | 2015 | POR |
| 208 | Mustafa Yurdaer | Ottoman Pop-art | 2016 | TUR |
| 209 | Nádas Alexandra | Úszó pajta I. | 2016 | HUN |
| 210 | Úszó pajta II. | 2016 | ||
| 211 | Nagy Gábor György | Budapest-London III. | 2016 | HUN |
| 212 | Natalia Veronica Bica | Alchimia Imaginației III | 2016 | ROU |
| 213 | Németh Attila | A TOROKCSAKRA (5ik a „Vortex” projektből) | 2015 | ROU |
| 214 | A HARMADIK-SZEM CSAKRA (6ik a „Vortex” projektből) | 2015 | ||
| 215 | Nikola Radosavljević | Elegy for Natasa Zilic | 2015 | SRB |
| 216 | Orbán Anna-Mária | Kék a kézben I | 2016 | ROU |
| 217 | Orosz Annabella | Tökély | 2015 | ROU |
| 218 | Ország László | …egy-kor… | 2015 | HUN |
| 219 | Oskar Gorzkiewicz | Wizja Miasta II | 2014 | POL |
| 220 | Wizja Miasta III | 2014 | ||
| 221 | Pablo Querea Gutierrez | PAIN | 2016 | MEX |
| 222 | Pál Bella | perforációk 1 | 2015 | HUN |
| 223 | Pál Csaba | Belső napló 03 | 2015 | HUN |
| 224 | Palásti Erzsébet | IMÁDSÁG A FÖLDÉRT – AZ ÉLETÉRT I. | 2016 | HUN |
| 225 | Paweł Kwiatkowski | borders of the space | 2015 | POL |
| 226 | retreat line | 2015 | ||
| 227 | this, this, this and this | 2015 | ||
| 228 | Pelei Katalin | Lélek hatás I. | 2015 | HUN |
| 229 | Péter Ágnes | Offering 01 | 2015 | HUN |
| 230 | Popek Amadeusz | Spy Balls | 2014 | POL |
| 231 | Razvan Anton | Fara titlu | 2016 | ROU |
| 232 | Razvan-Constantin Caratanase | Incertitudine 1 | 2016 | ROU |
| 233 | Reno Megy Setiawan | Ego Jr.: I’m Lovin’ It | 2015 | INA |
| 234 | I. D.: Just Do It. | 2015 | ||
| 235 | Rizal Pramana | Dear Lord | 2015 | INA |
| 236 | Entanglement | 2016 | ||
| 237 | Robert Jančovič jr. | EMBLEM | 2015 | SVK |
| 238 | Sadowska Anna | In the footsteps I | 2014 | POL |
| 239 | Sáfár Kitti | szublimál | 2015 | HUN |
| 240 | Sandra Lima E Silva | UNTITLED | 2014 | BRA |
| 241 | Sebastian Skowroński | Figure IX | 2015 | POL |
| 242 | Semih Çinar | factory and shade | 2015 | TUR |
| 243 | Siklódy Ferenc | A főnök parafrázisa 1 | 2015 | ROU |
| 244 | A főnök parafrázisa 2 | 2015 | ||
| 245 | A főnök parafrázisa 3 | 2015 | ||
| 246 | Silviu-Nicolae Blidaru | Contrastele timpului | 2015 | ROU |
| 247 | Simon Tamás | Kényszerérzetek diadala | 2015 | HUN |
| 248 | Ellentétes erő | 2015 | ||
| 249 | Simon Zsolt | PPRIVÁT JEGYZET 3 | 2016 | HUN |
| 250 | Simona Bagdonaitė Gubinienė | „The behind scenes in circus“ | 2013 | LTU |
| 251 | Simona Maria Lazar | Gest | 2016 | ROU |
| 252 | Sinka Péter | TRIMURTI – HÁROM | 2015 | HUN |
| 253 | Sipos-Gaudi Tünde | Invázió 4 | 2016 | ROU |
| 254 | Sljivo Husein | Strand | 2016 | BIH |
| 255 | Song Jia-Syuan | Flower wold | 2016 | TPE |
| 256 | Sóváradi Valéria | Skizo-2 | 2016 | HUN |
| 257 | Stefanovits Péter | Öntisztuló rendszer I. | 2016 | HUN |
| 258 | Öntisztuló rendszer II. | 2016 | ||
| 259 | Stefany Kostadinova | The Magician: See the unseen | 2016 | BUL |
| 260 | The Magician: Look through the lock | 2016 | ||
| 261 | Syahrizal Pahlevi | ‘How to Throw How to Print #2’ | 2015 | INA |
| 262 | Sylwia Jakubowska | no title | 2016 | POL |
| 263 | Szabó Andrea | Comedy I. | 2016 | HUN |
| 264 | Szabó Réka | Erdély | 2015 | ROU |
| 265 | Szarvák Antal | Áldás | 2016 | HUN |
| 266 | Szeszák Ádám | Mementó II | 2014 | HUN |
| 267 | Szőke Erika | Szabadulás I. | 2016 | SVK |
| 268 | Szabadulás II. | 2016 | ||
| 269 | Szabadulás III. | 2016 | ||
| 270 | Szunyoghy András | Egy festő emlékére | 2015 | HUN |
| 271 | Taida Jasarevic Hefford | A Word on Man : Stone Sleeper 3 | 2014 | BIH |
| 272 | Tarcsi Ádám | Bálvány | 2015 | SVK |
| 273 | Teo Spiller | Adam & Eve 2.0 – stable | 2016 | SLO |
| 274 | Teodor Asenov | Influx | 2016 | BUL |
| 275 | Exodus | 2016 | ||
| 276 | Terenyei Tímea Zsófia | Notausstieg avagy kivándorlás | 2016 | HUN |
| 277 | Teresa Anna Ślusarek | Moobeam | 2014 | POL |
| 278 | Tolnay Imre | Tangó öt tételben 1 | 2016 | HUN |
| 279 | Török Ferencz | Történet 1 | 2015 | ROU |
| 280 | Ujvárossy László | Graffiti – sztereofónia I | 2015 | ROU |
| 281 | Graffiti – sztereofónia II | 2015 | ||
| 282 | Graffiti- sztereofónia III | 2015 | ||
| 283 | Ütő Gusztáv | Székelyföld . Tinutul Secuiesc . Székely Land | 2011 | ROU |
| 284 | Valentina Suljic | E.A. 1/3 Bounch of dreams | 2016 | CRO |
| 285 | Vályi Péter | Európa remix (sz.gépes grafika,kültéri falmatrica) | 2016 | HUN |
| 286 | Varga Dániel | Monolit2 | 2015 | HUN |
| 287 | Varga Zsófi | Titkos Kert II | 2015 | HUN |
| 288 | Varga-Welther Júlia | Hüpátia | 2015 | AUT |
| 289 | Várkonyi György | Szél | 2016 | HUN |
| 290 | Vasil Angelov | Warrior 1 | 2016 | BUL |
| 291 | Vasile Sitari | Gradina placerii-I | 2015 | MDA |
| 292 | Vass Tibor | A tyúkkultúrház tetején I. | 2014 | HUN |
| 293 | Végvári Beatrix | Zóna 2 | 2016 | HUN |
| 294 | Victor Gingiu | Ce este frumusețea? | 2015 | ROU |
| 295 | Vida Stefanovic | City of emperors | 2014 | SRB |
| 296 | Vincze-Bába Gabriella | Időutazás 2. | 2016 | HUN |
| 297 | Violeta Gaidamaviciute-Kisieliene | ,,Midday” | 2013 | LTU |
| 298 | Viraj Naik | DIPLOMACY | 2016 | IND |
| 299 | Vitárius Nikoletta | Utca mögött | 2014 | HUN |
| 300 | Weronika Siupka | Rawa River | 2016 | POL |
| 301 | Strange Light | 2015 | ||
| 302 | Fragment | 2014 | ||
| 303 | Zahui Patrick | Atomic Baby Head | 2015 | ROU |
| 304 | Zareba Witold | First aid 5 | 2015 | POL |
| 305 | First aid 6 | 2016 | ||
| 306 | Zeman Zoltán | Rotátor I. | 2016 | HUN |
| 307 | Zenon Burdy | HarbourXIa | 2014 | CAN |
| 308 | HarbourXIIb | 2014 | ||
| 309 | Zesee Sodnomtseren | Mongol house | 2015 | MGL |
| 310 | Živilė Žviliūtė | „The curves ot destinity according to O.B.” | 2016 | LTU |
| 311 | Zoran Mise | Summer breakfast | 2016 | BUL |
| 312 | Summer lunch | 2016 |
Author Archives: admin
The deadline has been extended with four days
We have extended the deadline of submitting the artworks for the 4th edition of the Graphic Art Biennial of Szeklerland; accordingly, instead of 25 March, the deadline for submitting the digital reproductions of the artworks is 29 March 2016, 12:00 (midnight).
The registration form and further information related to application is available at:
https://gbiennial.ro/wp2/palyazati-felhivas-2016/.
There are fifteen days left for submissions
The call for applications of the 4th Graphic Art Biennial is valid for fifteen more days. We expect the uploading of the digital reproductions of the artworks on our website until 25 March 2016, 12:00 (noon).
Artworks can be submitted in one comprehensive category, printed graphics, which includes graphic artworks created with traditional procedures of graphic art; graphic artworks created with digital methods of image creation and printed with digital devices; and graphic artworks prepared with digital methods of image creation but printed with traditional methods.
The disqualifying condition of participation is that the artworks have been created in the past 2 years. We expect the applications of professional artists as well as art university students from Romania and from abroad.
Further information regarding submission is available at: www.grafikaiszemle.ro/en
The Call for Application of the 4th Graphic Art Biennial of Szeklerland has been made public
On 1 February, on a press conference, the Covasna and Harghita County Councils presented the call for application of the 4th edition of the Graphic Art Biennial of Szeklerland, one of the prestigious fine arts events of the Carpathian Basin. The competition welcomes the participation of artists from both Romania and abroad. Beginning with this year artworks can be submitted in one category; the deadline of uploading the digital reproductions is 25 March.
Sándor Tamás, president of the Covasna County Council, quoted the thoughts of Botond Részegh, artist from Miercurea Ciuc, in connection with the 4th Graphic Art Biennial, according to which the value of a town is determined by its cultural life. The county leader said: “This is true also in the case of Szeklerland; the value of this region is mainly defined and determined by its cultural value. This is the reason why eight years ago, when we planned the future with a few politicians from Szeklerland, we assigned an important role to culture. It is my conviction that a community with a cultural background is the one which can develop; besides infrastructure and education, culture must especially be supported. This event is one of the most important events that reinforce identity in Szeklerland. The total sum of the event taking place under the patronage of Hunor Kelemen, former Minister of Culture of Romania, is 92,000 RON, which is the equivalent of the construction costs of 230 m county road.”
According to Csaba Borboly, president of the Harghita County Council, it is good to see that the Graphic Art Biennial is gaining force, the participation of inland and international artists indicates a continuous dynamics. “This event is a good example of cooperation in Szeklerland, the result of joint efforts. Scandals and conflicts have never brought success for Szeklerland, only positive events have. I can say in connection with this event that this is the way it is worth working for Szeklerland, this is how we can make our region more beautiful and more attractive, and this can have an impact on the youth’s intent of remaining in their homeland or their returning home. This is why this cultural competition also has a political purport, and this is why I believe in such events” – the president of the Harghita County Council said.
The Consulate General of Hungary in Miercurea Ciuc has offered a special prize, which will be awarded based on the evaluation of the professional jury. Barna Pál Zsigmond consul general expressed his view that he considers it important that the Biennial, as a prestigious event based on modernity, strengthens the international reputation of Szeklerland. The material of the exhibition presented in Sfântu Gheorghe will also be exhibited in Miercurea Ciuc, jointly organized by the Harghita County Council and the Consulate General of Hungary in Miercurea Ciuc.
From the outset the Graphic Art Biennial of Szeklerland has assumed the task of formulating the integrating role of graphics. Zsolt Siklódi, the curator of the Biennial drew attention to the new aspects of this year’s edition: “After extensive discussions with the jury we decided that it was time to redefine the categories of the classical and experimental techniques markedly distinct in the 1990s, since by now these means have come to exist in permanent interaction.” The call for application does not make a distinction between artworks created with traditional and modern multiplication techniques applied in graphics; the only condition of participation is that the artworks have been created in the past two years. It is also a novelty as compared to the previous editions that the artworks can be directly uploaded on the website of the event: www.grafikaiszemle.ro.
The 4th Graphic Art Biennial of Szeklerland sets itself the aim of presenting a valid and thought-provoking visual universe for the public living their daily lives overcrowded by visual content. At the same time, the Biennial is a means of seeking ways in generic terms, since it searches for the place of graphic artworks created with various techniques in the international trends by juxtaposing the local and the universal.
“The artists can submit maximum three artworks in electronic format by the deadline, 25 March. Only individual artists – professional artists and fine arts university students – can submit their artworks” – István Imreh-Marton, director of the Cultural Center of Covasna County, made known the conditions of participation and submission requirements. The evaluation of the artworks will be carried out by internationally acknowledged art historians, university professors and graphic artists in two phases. After the preselection the artworks selected by the jury must be submitted in original. From this material the exhibition of the 4th Graphic Art Biennial of Szeklerland, the opening event of Szeklerland Days, will be organized, hosted by the Transylvanian Art Center in October 2016. The awarded artworks will be selected from those remaining in competition after the preselection. Besides the 2000 Euro main prize, the international jury will award three prizes of 1000 Euro each. The detailed call for application is available on the official website of the event.
In the month preceding the announcement of results the organizers of the event plan several fine arts events. Traditionally, there will open an individual exhibition of Erika Szőke graphic artist, who won the main prize of the 3rd Graphic Art Biennial of Szeklerland; this year the public will also have the opportunity of getting acquainted with the world of contemporary Polish posters. In the spirit of the Biennial, the event will provide a possibility to reinterpret Polish poster art, now regarded as being classic.
The Graphic Art Biennial of Szeklerland was initiated in 2010 by the Lăzarea Cultural and Creation Center and the Cultural Center of Covasna County. The previous three editions have achieved considerable results; more than 900 artworks were submitted from 41 countries altogether. The international recognition of the event is growing year by year, which also manifests in the number and diverse nationality of the participants.
Organizers of the 4th Graphic Art Biennial of Szeklerland: the Covasna County Council, the Harghita County Council, the Cultural Center of Covasna County and the Lăzarea Cultural and Creation Center.
Sfântu Gheorghe, February 1, 2016
Call For Application, 2016
The 4th Graphic Art Biennial of Szeklerland
Sfântu Gheorghe, 2016
The integrative character of contemporary graphics
The Covasna and Harghita County Councils and the Cultural Center of Covasna County are organizing together the 4th Graphic Art Biennial of Szeklerland between January 20 and December 20, 2016.
General information:
Directing our thinking, perception and habits imperceptibly but very effectively, the created visual sign system covers our world almost entirely. We live in a world dominated by images, fact which must indispensably be taken into account. Especially by artists thinking and carrying out their activity in the field of fine arts.
Graphics also reflects this determining character of images and the changes of their social role; in its case the specific transformations of genres mutually influencing one another can be perceived perhaps the most powerfully. Virtual images have changed the role of graphics; nevertheless, the printed picture connected to the materiality of the artwork has not lost its importance either. In the world of the pictorial turn graphics has also become borderless; today the artist can freely choose the carrier of the images generated by new media. By printing, the virtual image can return to traditional reality bound to materiality, thus the digital image also becomes a means of graphics.
The objective of the Graphic Art Biennial of Szeklerland is to place side by side the local and the universal, and thus to find and define the role of endeavours in the field of graphics, born in the region as well as in other parts of the world, within global trends, in terms of both traditional and digital graphics. It aims to achieve this by fully respecting the freedom of the artists unbiased by stereotypes, as regards the choice of the means, the technique and the carrier of the visual mode of expression.
In accordance with the above, we can define several characteristics and forms of interpretation of the notion of graphics: its multiplicative character, printing as a communication medium, graphics as a visual mode of expression, graphic image creation as a form of illustration, digital image creation, the mode of visual archiving and the printed versions of these, the visual printed document. Every participant can choose from the enumerated definitions, they can provide definitions and visual responses. The Graphic Art Biennial of Szeklerland offers possibilities of choice and expects visual responses to the respective definitions.
Contrary to the first three editions of the biennial, this year we have modified the definitions of the application categories. We hereby announce one comprehensive category, which tries to integrate the possibilities of contemporary graphics. In accordance with this, the present call for applications announces one category, namely Printed graphics, which includes the following proposed procedures and methods of graphic art:
1. graphic artworks created with traditional procedures of graphic art;
2. graphic artworks created with digital methods of image creation and printed with digital devices;
3. graphic artworks prepared with digital methods of image creation but printed with traditional methods.
Terms and Conditions of Participation in the 4th Graphic Art Biennial of Szeklerland:
1. Participants:
Any professional artist or art university student may participate if his/her application is in conformity with the Terms and Conditions included in the Call for Application. Associations and professional organizations cannot apply; only individual artists complying with the above mentioned professional conditions can submit their applications.
2. Information regarding the graphic artworks:
The topic of the artworks can be freely chosen; the disqualifying condition of participation is that the artworks have been created in the past 2 years. All artworks created with printed graphics procedure are accepted, included in the definition of graphics in terms of high, low and plain print methods(woodcut and linocut, aquaforte, aquatint, mezzotint, lithography, screen printing, individual print, C-print, offset, electrographics, etc.). Drawings, pastel drawings and watercolours are not accepted.
3. Every artist may participate with maximum 3 artworks. Every submitted artwork counts as 1 artwork. The elements of a series count as separate artworks; thus, a three-element series counts as three artworks.
4. The smallest size of the artworks to be submitted is 30×30 cm, and the largest accepted size is 100×100 cm.
5. Deadline and destination of sending the artworks:
5/a: FIRST PHASE: Preselection
In the first stage of the 4th Graphic Art Biennial of Szeklerland the preselection will take place based on the digital reproductions of the artworks to be submitted. The applicants are requested to upload the perfect reproductions of their artworks online, in digital format, through the entry form, together with the data requested on the website. The file size of a digital image may not exceed 15 MB. The digital images can be uploaded in .jpg, .jpge or .png uncompressed format and 300 dpi resolution (the longer size must be minimum 2500 pixels).
In the first stage submission is only possible through the online entry form: https://gbiennial.ro/wp2/en/entry-form-2016/
In case of successful uploading the system will send a confirmation e-mail to the specified e-mail address. If you have problems with online registration, please contact the organizers on the following e-mail: grafikaiszemle@grafikaiszemle.ro
The deadline of submitting the digital reproductions is (25) 29 March 2016, midnight.
Important: For the phase of preselection don’t send the original artworks by post! If this is the case, we regret to inform the authors that we are unable to send back their original artworks.
All participants will be informed on the results of preselection via e-mail.
5/b: SECOND PHASE: Awarding
On the basis of the decision made in the phase of preselection, we ask those participants who qualify for the next phase to send us their original artworks which remained in the competition by post. The artworks qualifying for the second phase will be included in the catalogue of the 4th Graphic Art Biennial of Szeklerland.
The deadline for sending the original artworks is May 20, 2016 (postmark date) by post or in person, to the following address: Centrul de Cultură al Judeţului Covasna, RO- 520008 Sfântu Gheorghe, str. Libertăţii, nr. 2, jud. Covasna, România.
Please, attach to the submitted artworks the printed entry form received via e-mail during the first phase online registration. The artworks must be numbered and signed in accordance with the international graphics standards. Original artworks must be submitted without their frames or mat boards by post or in person, in portfolios or carton reels. Artworks sent after the deadline will be excluded.
We do not assume any responsibility for possible damages that might occur during transport and they cannot be compensated for.
Please indicate on the postal package:
4th Graphic Art Biennial of Szeklerland
For cultural purpose only, no commercial value!
6. The jury and evaluation:
The members of the jury are internationally acknowledged art historians and graphic artists. The evaluation of the 4th Graphic Art Biennial of Szeklerland will take place in two phases.
The jury will select the awarded artworks from those remaining in competition after the preselection. In the course of the biennial, the artworks qualifying for the second phase will be exhibited, depending on the exhibition surface, in the Transylvanian Art Center and in the Szekler National Museum in Sfântu Gheorghe.
The official opening of the Biennial will take place on Saturday, October 15, 2016, 5 pm. The authors of the artworks will be informed about the decision of the jury and the details of the opening ceremony in due time, by phone or via e-mail.
7. Participation fee:
There is no participation fee for the 4th Graphic Art Biennial of Szeklerland.
8. Prizes:
1. Main Prize of the Biennial: 2000 Euro
2. Nagy Imre Prize: 1000 Euro
3. Plugor Sándor Prize: 1000 Euro
4. Nagy Pál Prize: 1000 Euro
The prizes of the 4th Graphic Art Biennial of Szeklerland are gross sums, they figure as taxable income liable for 16% tax according to the Romanian regulations.
9. Further information:
• The awarded works will remain in the property of the Transylvanian Art Center;
• After the exhibitions of the Biennial the exhibited artworks will be sent back to their authors by post within one year;
• The selected artworks will be included in the Biennial’s catalogue;
• The organizers of the Biennial reserve the right to organize the exhibitions.
Download the call for application: .pdf
Report
The Exhibition Was Opened, the Prizes Were Awarded
The exhibition of the Graphics Review, 3rd Graphic Art Biennial of Szeklerland was opened at the Transylvanian Art Center in Sfântu Gheorghe, on the Day of Hungarian Culture, 22 January, 2015. On this occasion the ceremony of awarding the best artworks was held.
The opening ceremony of the biennial started at the Transylvanian Art Center, where Zoltán Vécsi Nagy, director of the institute, and Zsolt Siklodi, curator of the biennial, greeted those present and spoke highly of the exhibition.
Zsolt Siklodi presented the history of the Graphics Review, mentioning that it is an international fine arts event supported by the councils of the counties of Szeklerland, namely Harghita, Covasna and Mureș, and it was first organized in 2010, then in 2012. The aim of the organizers was to define the place of graphic endeavors of our narrower and wider region, Szeklerland and the Carpathian Basin, within global trends, besides, to bring and make known, through the event, fine arts views born in other parts of the world. According to Zsolt Siklodi, the fact that the biennial has indeed become an international event, is also confirmed by the fact that 336 artists submitted their applications with 783 artworks, from 32 countries. He added that the international jury consisting of graphic artists and professors of universities of art selected 228 artworks for the review, which are exhibited for the first time at the Transylvanian Art Center and at the Szekler National Museum. The former hosts the artworks belonging to the category of experimental graphics as well as the awarded works of this year’s biennial and the latter offers space for the artworks created with the technique of traditional graphics.
The curator evaluated the event with the following words: “Based on these data we can rightly say that the Graphic Art Biennial of Szeklerland has become the greatest fine arts competition and event of this kind in the country. Thus the graphics review moves in the right direction, having earned itself the rank of obliging the applying artist to high quality.”
In his opening speech Zoltán Vécsi Nagy expressed his conviction that the 3rd Graphic Art Biennial of Szeklerland, by now growing into its maturity, has a beneficial effect upon the fine arts of our region, Szeklerland, but in a wider context also of the whole nation and country, of the entire region of the Carpathian Basin. He considered it especially fortunate that owing to the social capital arising from the openness of organization characterizing the biennial, the event has acquired an international character, as a consequence of which artworks of excellent graphic artists have entered the review. He also added: “I consider it a great thing that not only graphic artists of the wider region, but also the local ones, from Transylvania, from Szeklerland, hold their ground worthily in this high standard international field.”
The opening of the exhibition was followed by the awarding ceremony, on which the Háromszék Prize for Culture and the prizes for the best artworks of the biennial were awarded. Two special prizes, three prizes of 1,000 euro offered by the organizing counties from Szeklerland and a main prize of 2,000 euro provided by the Ministry of Culture were awarded. The Zereda Art Camp Prize was awarded to Gabriella Lakatos, artist from Odorhei, Romania; the Pulzus Art Camp Prize was awarded to Norbert Filep graphic artist, Romania; the Nagy Imre Prize offered by the Harghita County Council was awarded to Magda Szplit, graphic artist from Poland as well as to Teodor Asenov, graphic artist from Bulgaria; the Nagy Pál Prize offered by the Sóvidék Microregional Association was taken over by Diar Nurbintoro, ambassador of Indonesia on behalf of Reno Megy Setiawan, Indonesian artist; the Plugor Sándor Prize offered by the Covasna County Council was awarded by Sándor Tamás, president of Covasna County Council, to Gergely Kárpáti, artist from Hungary; and finally, the Main Prize of the Biennial was awarded by Csilla Hegedűs, the Deputy Secretary General for Culture of the Democratic Alliance of Hungarians in Romania, to Erika Szőke, graphic artist from Slovakia. The awarding ceremony was made more colorful by the contribution of the jazz band Impro-Víziók 2.2.
The organizers would like to thank all participating artists for their contribution to the standard and success of the event.
The Graphics Review, with already three editions so far, was organized by the Covasna County Council and the Cultural Center of Covasna County, in close collaboration with the Harghita County Council, the Transylvanian Art Center and the Lăzarea Cultural and Creation Center.
The event was supported by the Ministry of Culture of Romania, the Mureș County Organization of the Democratic Alliance of Hungarians in Romania, the Sóvidék Microregional Association, Sfântu Gheorghe Town Hall, the Pulzus Art Camp, the MUKK Culture and Youth Association, the Sfântu Gheorghe Branch of the Romanian Fine Artists Union, the Szekler National Museum as well as the MAGMA Contemporary Exhibition Space.
Special media partner of the biennial was the Association of Hungarian Journalists of Romania; media partners were the Háromszék, the Hargita Népe, the Transindex, the Erdély.ma, the Székely Hírmondó, the Népújság, the KorkéP, the Hungarian Television of Transylvania, the Harghita Studio, the Hungarian Program of the Romanian Television, the Radio Târgu Mureș, Radio Cluj-Napoca and the Sláger Radio.
The main patron of the 3rd Graphic Art Biennial is Hunor Kelemen, president of the Democratic Alliance of Hungarians in Romania, former Minister of Culture, Romania.
We thank them all for their support!
Awarded artworks of the biennial
Main Prize of the Biennial
Szke Erika / Slovakia
The Crown / mixed technique / 70x100cm / 2014
Gone / c -print / 49x37cm / 2014
Presence of Mind / mixed technique / 100x70cm / 2014
Nagy Imre Prize
Magda Szplit / Poland
Alter Ego III / linocut / 86×73,5cm / 2013
Teodor Asenov / Bulgaria
Autumn / etching, aquatint / 62x60cm / 2014
Plugor Sándor Prize
Kárpáti Gergely / Hungary
Coat, cap, scarf / woodcut / 67,5×33,2cm / 2014
Nagy Pál Prize
Reno Megy Setiawan / Indonesia
Connecting People / woodcut / 70x90cm / 2013
Zereda Art Camp Prize
Lakatos Gabriella / Romania
The Impression of the Fog / mixed technique / 60x90cm / 2014
Pulzus Art Camp Prizes
Filep Norbert / Romania
Land 1 / woodcut / 65x50cm / 2013
Land 2 / woodcut / 65x50cm / 2013
Members of the jury
Dr. habil. Csontó Lajos
graphic artist – associate professor, Eszterházy Károly College, Eger, Hungary
Dr. habil. Erőss István
graphic artist – associate professor, Eszterházy Károly College, Eger, Hungary
Prof. dr. Róbert Jančovič
graphic artist – professor, Academy of Fine Arts and Design, Bratislava, Slovakia
Siklodi Zsolt
graphic artist – curator of the biennial, Sovata, Romania
Dr. habil. DLA Somorjai-Kiss Tibor
graphic artist – professor, rector, Hungarian University of Fine Arts, Budapest, Hungary
Prof. dr. Ujvárossy László
graphic artist – professor, Partium Christian University, Oradea, Romania
Vécsi Nagy Zoltán
art historian – Transylvanian Center of Fine Arts, Sfântu Gheorghe, Romania
Invitation to the opening ceremony of the 3rd Graphic Art Biennial of Szeklerland
The Covasna County Council, the Cultural Center of Covasna County, the Harghita County Council, the Cultural and Art Centre of Lazarea, and the Transilvanian Art Center cordially invite You to the opening ceremony of the Graphics Review, 3rd Graphic Art Biennial of Szeklerland.
Programme:
Venue and date: Sfântu Gheorghe, 22 January, 2015
11:00 am –17:00 pm
During the day you can visit:
the exhibition of selected artworks of the Graphics Review, 3rd Graphic Art Biennial of Szeklerland at the Transilvanian Art Center and at the Szekler National Museum,
the solo exhibition, opened on 15 January, of Ágnes Péter, Grand Prize Winner of the 2nd edition of the Graphics Biennial at the MAGMA Contemporary Art Exhibition Space,
the exhibition from the awarded works of the previous biennials at the House with Arcade
17:00 pm
Official opening of the 3rd Graphic Art Biennial of Szeklerland at the Transilvanian Art Center
19:00 pm
Awarding ceremony in the Great Hall of the Tamási Áron Theatre:
awarding the Háromszék Prize for Culture on the occasion of the Day of Hungarian Culture,
awarding the prizes of the 3rd Graphic Art Biennial of Szeklerland,
jazz concert: Impro-visions 2.2
We are looking forward to welcoming You at the event!
3rd Graphics Review. Programme of the event
15 January, 2015, 7:00 pm
Ágnes Péter’s exhibition / Grand Prize, 2nd edition of the biennial
MAGMA Contemporary Art Space
21 January, 2015, 7:00 pm
Exhibition from the awarded works of the previous biennials
House with Arcades
22 January, 2015, 5:00 pm
Exhibition opening of the 3rd Graphics Review
Transilvanian Art Center
22 January, 2015, 7:00 pm
Awarding ceremony,
awarding the Háromszék Prize for Culture
Tamási Áron Theatre
We held a press conference on the results
Yesterday we held a press conference on the occasion of closing the application phase of the Graphics Review, the 3rd Graphic Art Biennial of Szeklerland, and the pre-selection of the submitted artworks. On the press conference István Imreh Marton, director of the Covasna County Cultural Center, Zsolt Siklódi, graphic artist, the curator of the biennial, and Zoltán Vécsi Nagy, art historian, director of the Transylvanian Art Centre, related on the course of the events so far.
Zsolt Siklódi curator reported that 336 artists entered for the review with reproductions of 783 artworks. The applications arrived from 32 countries, most of them from Hungary and Romania, however, there also appear on the palette such distant countries as Egypt, Korea, China, Indonesia and Iran. According to Zsolt Siklódi, this great diversity can be considered as a step forward as compared to the previous biennial. He remarked that the two announced application categories met similar interest: 166 applications have been submitted in the category of traditional graphics and 170 applications in the category of experimental graphics; there are also artists who submitted artworks in both categories. 387 artworks have been registered in the former category and 396 in the latter.
It was also mentioned that the received digital reproductions corresponding to the conditions of the application were evaluated by the jury last weekend, between 26 and 28 November 2014. In the course of this the jury selected 228 artworks going on to the next phase, which will be exhibited at the Transylvanian Art Centre and will be included in the catalogue of the biennial. The exhibition will be opened on 22 January 2015, on the Day of Hungarian Culture, as the closing event of the biennial.
Zoltán Vécsi Nagy highlighted that the jury, consisting of internationally renowned graphic artists and university professors, evaluated the artworks, besides the criteria pertaining to content and form formulated in the Call for Application, also based on professional criteria such as the quality, message and character of the artwork. Summing up the evaluation of the jury he said: “The overall impression is that the quality has significantly improved as compared to the previous biennial. This means that it works well, the quality jury and the artworks presented on the exhibition impose a certain standard on the artists.” He concluded by stating his opinion that the biennial moves in the right direction.









































